Midnight Movie (2008) Review

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Midnight Movie (2008) Review

“Midnight Movie” is a 2008 horror / comedy film which follows a group of moviegoers who become trapped in a film theater, only to be stalked and hunted down, one at a time by a mysterious killer.

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REVIEW | The Fear Footage (2018)

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REVIEW | The Fear Footage (2018)

The film runs like an anthology, adding a variety of pieces to the puzzle using previously recorded footage which are used to partially unravel the mysteries set within a house which was said to have been torn down the year prior. These pieces of footage are taken in by the viewer through the body cam of Deputy Leo Cole whom had the unfortunate displeasure of responding to a call regarding the home which has suddenly reappeared.

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REVIEW | For The Love of The Boogeyman – 40 Years Of Halloween | Documentary

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REVIEW | For The Love of The Boogeyman – 40 Years Of Halloween | Documentary

For the Love of The Boogeyman is a short talking heads documentary about John Carpenter’s classic 1978 horror that kick-started the slasher craze, made and released to coincide with the film’s 40th anniversary and the release of its latest instalment. The film is written, directed and produced by Paul Downey, and features commentary from fans and filmmakers from the indie horror scene as they talk about their love for Halloween and its antagonist, Michael Myers.

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ALL THE COLOURS OF THE 80s: Part 3

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ALL THE COLOURS OF THE 80s: Part 3

The finale in the Mark Doubt Giallo Series. “The first thing I thought when watching Stage Fright was “I wish I’d watched this in a triple bill with Murder Rock and Opera.” Like Fulci’s Frenzied Flashdance pastiche, Michele Soavi’s Stage Fright is a late foray into Giallo, and focuses on the performing arts. Where Stage Fright differs from (and is superior to) Fulci’s movie is in its creativity and its streak of self-awareness. Murder Rock, while a lot of fun, did feel like Fulci going through the…“

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ALL THE COLOURS OF THE 80s: PART 2 – A TALE OF TWO CITIES

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ALL THE COLOURS OF THE 80s: PART 2 – A TALE OF TWO CITIES

With over 70 credits to his name, Lucio Fulci was a prolific director of films of various genres including Horror (Zombie Flesh Eaters, 1979), Giallo (Don’t Torture A Duckling, 1972), Comedy (How we Stole the Atomic Bomb, 1966) Western (Four of the Apocalypse, 1975) and Musicals (Juke Box Kids, 1959).

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