The 4th of July may be over, but the explosions sure aren’t. That’s right Dr.LoveGore is back with another list that you may just lose your head over.
Looking for all the Top News, Releases, Indie Projects, Box Office & Featured Shops from last week? You found the perfect spot. What did you miss Last Week In Horror?
Please give a warm welcome to our new writer and lister Dr.LoveGore! With his Top 12 horror movies with iconic elevator scenes. Which are your favorites?
Looking for all the Top News, Releases, Indie Projects, Box Office & Featured Shops from last week? This month is Pride month so you will find a lot more in the shops section. You found the perfect spot. What did you miss Last Week In Horror?
Looking for all the Top News, Releases, Indie Projects, Box Office & Featured Shops from last week? Well you found the perfect spot. What did you miss Last Week In Horror?
Some films are just so good that they inspire many Directors and Writers to make films but what if they are so inspired they knock them off? Well this week on our Flesh & Potatoes we take a look at films that ripped off the greats. We talk about two doozies.
The film runs like an anthology, adding a variety of pieces to the puzzle using previously recorded footage which are used to partially unravel the mysteries set within a house which was said to have been torn down the year prior. These pieces of footage are taken in by the viewer through the body cam of Deputy Leo Cole whom had the unfortunate displeasure of responding to a call regarding the home which has suddenly reappeared.
Looking for all the Top News, Releases, Indie Projects, Box Office & Featured Shops from last week? Well you found the perfect spot. What did you miss Last Week In Horror?
For the Love of The Boogeyman is a short talking heads documentary about John Carpenter’s classic 1978 horror that kick-started the slasher craze, made and released to coincide with the film’s 40th anniversary and the release of its latest instalment. The film is written, directed and produced by Paul Downey, and features commentary from fans and filmmakers from the indie horror scene as they talk about their love for Halloween and its antagonist, Michael Myers.
New episode up. Get a sample of what the episode is all about! For Beyond The Void Horror Podcast!
Sequence Break is a 2017 horror film written, directed and produced by Graham Skipper ( actor in 'Almost Human’, 'The Mind’s Eye’ and ‘Beyond The Gates’.
Looking for all the Top News, Releases, Indie Projects, Box Office & Featured Shops from last week? Well you found the perfect spot. What did you miss Last Week In Horror?
The finale in the Mark Doubt Giallo Series. “The first thing I thought when watching Stage Fright was “I wish I’d watched this in a triple bill with Murder Rock and Opera.” Like Fulci’s Frenzied Flashdance pastiche, Michele Soavi’s Stage Fright is a late foray into Giallo, and focuses on the performing arts. Where Stage Fright differs from (and is superior to) Fulci’s movie is in its creativity and its streak of self-awareness. Murder Rock, while a lot of fun, did feel like Fulci going through the…“
With over 70 credits to his name, Lucio Fulci was a prolific director of films of various genres including Horror (Zombie Flesh Eaters, 1979), Giallo (Don’t Torture A Duckling, 1972), Comedy (How we Stole the Atomic Bomb, 1966) Western (Four of the Apocalypse, 1975) and Musicals (Juke Box Kids, 1959).
Dario Argento, certainly the highlight of the Italian movement and the director who saw the most success outside of his native Italy, would make a slew of fantastic, decadent gialli that still found a place amongst the killer dolls, burnt-face dream demons and hockey mask killers. The US slasher film was of course itself a bastard offspring of Giallo, and Argento knew how to make the conventions of his favoured genre satisfy the bloodlust of horror fans everywhere.
Looking for all the Top News, Releases, Indie Projects, Box Office & Featured Shops from last week? Well you found the perfect spot. What did you miss Last Week In Horror?
The Strange Vice of Mrs Wardh was the beginning of a very prolific period for Sergio Martino in the Giallo genre – over the next couple of years he would go on to direct The Case of the Scorpion’s Tail, Your Vice is a Locked Room and Only I Have the Key, All the Colors of the Dark, Torso and The Suspicious Death of a Minor.
Born in 1948, French-Algerian actress Edwige Fenech moved from France to Rome in 1968 and found success in many genres of cinema. She is perhaps best known for her roles in two genres – commedia sexy all'italiana (softcore sex farces popular in Italy at the time) and, of course, Giallo. Fenech would star in the films of Mario Bava, Andrea Bianchi and Ruggero Deodato, and in a number of starring roles for director Sergio Martino.
We join Matt Kelly from Horror Movie Night for a special #gravplots episode for the records.