In September 2018, Beyond The Void ran a feature on up-and-coming director Robin Shanea Williams (refresh your memory here). Read on, as Matt Rogerson checks back in with Robin, and shares news of her latest exciting project.
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matt rogerson
We continue LongLiveTheVoids writers Top Horror of 2019 with Matt Rogerson who has pointed out a lot of films that hold a deeper and more thoughtful meaning to the genre. See what he picked!
Scrolling through horror twitter after the release of Sophia Takal’s Black Christmas (co-written by April Wolfe), it didn’t take long to find negative comments about the film. In fact, I didn’t even have to search – they came to me. In droves. Peppering my timeline (and, no doubt, the filmmakers’ timelines and inboxes) with vitriol and rage.
The 4th and Final Cronenberg piece by Matt Rogerson. Find out another new perspective to look at Cronenberg.
While the name Cronenberg usually brings to mind Body Horror and Canuxploitation, the director has had three very definite periods in his career, and his output varied quite substantially from one to the next. While his early period (1969 – 1983) was primarily concerned with self-penned, low-budget, visceral horror and science fiction nightmares (with the exception of 1979’s Fast Company), the Canadian would soon move into a very different arena for the second phase of his directorial career.
Every Thursday in June (and the first Thurs of July) , Matt Rogerson will be taking an in-depth look at the long, body-horror-soaked career of Canadian Auteur and Cult Provocateur, the man the Village Voice called him "the most audacious and challenging narrative director in the English-speaking world": David Cronenberg.
Our writers for the website have been frothing at the mouth to get their list to you all. Matt Rogerson a veteran of the site has quite the list of his Top 10 Horror of 2018