Things are finally coming around and getting crazy for Episode 9 Rewind 1921. We see a lot more of the foreshadows come into focus & what happened to Hipoleta. We discuss some of the history and easter egss with this "Tragically Beautiful" Episode.
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With over 70 credits to his name, Lucio Fulci was a prolific director of films of various genres including Horror (Zombie Flesh Eaters, 1979), Giallo (Don’t Torture A Duckling, 1972), Comedy (How we Stole the Atomic Bomb, 1966) Western (Four of the Apocalypse, 1975) and Musicals (Juke Box Kids, 1959).
Dario Argento, certainly the highlight of the Italian movement and the director who saw the most success outside of his native Italy, would make a slew of fantastic, decadent gialli that still found a place amongst the killer dolls, burnt-face dream demons and hockey mask killers. The US slasher film was of course itself a bastard offspring of Giallo, and Argento knew how to make the conventions of his favoured genre satisfy the bloodlust of horror fans everywhere.
As a cinematic phenomenon, Giallo also took its cues from the crime films of Danish and West German cinema (the latter known as krimi). These movies (such as The Secret of the Black Widow and The Phantom of Soho, both directed by F.J. Gottlieb) were in turn frequently based upon or took inspiration from…
Simon’s career began in much the way we are led to believe fairytale Hollywood stories do – the aspiring fashion designer was spotted in a restaurant, plucked from obscurity and established herself as one of France’s hottest stars in no time at all.
Linnea is the ultimate scream queen. A stalwart of low-budget horror and exploitation in the 1980s and 1990s, and has appeared in over 100 acting roles. She moved to LA in the late 1970s and began a career in modelling. She was soon spotted (after appearing as an extra in a number of films) and given her first role in Fairy Tales (1978, dir Harry Hurwitz), a sex comedy in which she played Sleeping Beauty.