Dario Argento, certainly the highlight of the Italian movement and the director who saw the most success outside of his native Italy, would make a slew of fantastic, decadent gialli that still found a place amongst the killer dolls, burnt-face dream demons and hockey mask killers. The US slasher film was of course itself a bastard offspring of Giallo, and Argento knew how to make the conventions of his favoured genre satisfy the bloodlust of horror fans everywhere.
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Following in the footsteps of the great auteur Mario Bava, a new generation of names were to become synonymous with horror, thriller and exploitation cinema. Bava had popularised the rise of psychosexual thrillers in Italy, but it was not until the 1970s that Giallo began to truly take off elsewhere. Ornately-titled productions such as Dario Argento’s The Bird With ….